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Home EDITORIAL

Policies Penning a New Script

Editor by Editor
January 17, 2026
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Jammu and Kashmir has long been celebrated as Indian cinema’s most enchanting canvas. From the 1960s onwards, its valleys, lakes, and snow-capped peaks became synonymous with romance and beauty, immortalized in films that defined an era. Pahalgam, Gulmarg, and Dal Lake were not merely locations; they were characters in themselves, shaping the visual language of Bollywood classics. Valley’s cinematic legacy is inseparable from India’s cultural memory, a reminder of how art and geography can merge to create timeless magic.

Yet, this legacy was interrupted. The turbulence of the 1990s and subsequent decades cast a shadow over Kashmir’s role in cinema. Terrorism and instability forced filmmakers to abandon the Valley, redirecting productions to safer alternatives. April 2025 Pahalgam attack, which claimed 26 lives, was a tragic reminder of the fragility of peace and its direct impact on creative industries. Projects were cancelled, tourism suffered, and the dream of reviving Kashmir’s cinematic glory seemed distant.

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Despite these setbacks, spirit has become the defining narrative of Jammu and Kashmir’s film revival. By late 2025, shoots cautiously resumed, with crews returning to Pahalgam as a symbolic gesture of recovery. This was more than filmmaking; it was a statement of defiance against fear, and a reaffirmation of the Valley’s place in India’s cultural imagination.

The government’s proactive measures have played a crucial role in this resurgence, the updated Jammu and Kashmir Film Policy of 2024 introduced single-window permissions, subsidies, and incentives designed to attract both domestic and international productions. By easing regulations and identifying unexplored shooting spots, the policy seeks to restore confidence among filmmakers. These efforts are not only about cinema; they are about livelihoods. Tourism and film production are deeply intertwined, and every crew that returns to the Valley brings with it jobs, local spending, and renewed visibility for the region.

For Kashmir to reclaim its place as a premier destination for filmmaking, it cannot rely solely on natural beauty. The creative economy demands skilled professionals in post-production, editing, sound, lighting, and emerging fields such as animation, VFX, gaming, and extended reality. Building this ecosystem locally reduces costs, creates employment, and ensures that the benefits of revival are shared by the youth of the Union Territory. The idea of establishing a satellite campus of a premier creative institute in Jammu and Kashmir is a forward-looking step. It signals a commitment to nurturing talent at home rather than exporting it elsewhere.

This vision is not just about films; it is about dignity and opportunity. A thriving film industry in Jammu and Kashmir can transform the Valley into a hub of creativity, tourism, and employment. It can restore the region’s image from one of conflict to one of culture. Every frame shot in its meadows and mountains becomes a postcard to the world, inviting visitors and investors alike.

The path ahead is not without challenges. Security remains a sensitive concern, and the scars of past violence cannot be erased overnight. Yet, the determination to rebuild is evident. By combining policy support, institutional collaboration, and local skill development, Jammu and Kashmir is positioning itself for a renaissance.

Cinema has always been more than entertainment; it is a mirror of society and a bridge between cultures. For Jammu and Kashmir, it is also a lifeline; connecting its people to livelihoods, its landscapes to global audiences, and its history to a renewed future. Valley’s revival as a cinematic destination is not merely about films returning; it is about hope returning. And in that hope lies the promise of a brighter tomorrow.

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