• About us
  • Contact us
  • Our team
  • Terms of Service
Tuesday, February 17, 2026
Kashmir Images - Latest News Update
Epaper
  • TOP NEWS
  • CITY & TOWNS
  • LOCAL
  • BUSINESS
  • NATION
  • WORLD
  • SPORTS
  • OPINION
    • EDITORIAL
    • ON HERITAGE
    • CREATIVE BEATS
    • INTERALIA
    • WIDE ANGLE
    • OTHER VIEW
    • ART SPACE
  • Photo Gallery
  • CARTOON
  • EPAPER
No Result
View All Result
Kashmir Images - Latest News Update
No Result
View All Result
Home ART SPACE

Beyond Aesthetic:  How Madhubani Painting Helped Save Forests

Ghazala Fatima by Ghazala Fatima
June 28, 2025
in ART SPACE
A A
0
Beyond Aesthetic:  How Madhubani Painting Helped Save Forests
FacebookTwitterWhatsapp

Madhubani Art, also known as Mithila Art, is a traditional style of painting that originates from the Mithila region, which spans parts of northern Bihar in India and the eastern Terai of Nepal. The art form takes its name from the Madhubani district of Bihar, a major hub where this vibrant folk tradition continues to thrive and evolve. Madhubani is an ancient art form and its also famous for  its powerful environmental role that goes beyond its aesthetic and cultural value.

The Madhubani painting tradition played a pivotal role in environmental conservation efforts in Bihar, India, in 2012. Amidst increasing deforestation in the region, local artists began painting traditional Madhubani motifs—often featuring religious, cultural, and nature-inspired themes—on tree trunks. These sacred and decorative paintings discouraged people from cutting down the trees, as harming them would be seen as disrespectful. This creative and culturally rooted protest not only helped save many trees but also highlighted the power of indigenous art in promoting ecological awareness. .

More News

Lolab

My Srinagar, My Pride

Gratitude

Load More

The logic was simple but profound- in the deeply spiritual culture of rural Bihar, trees painted with images of deities like Durga, Shiva, or Krishna would not be easily cut down, out of reverence and religious fear. These painted trees became living canvases, transforming stretches of forest roads into open-air galleries of environmental protest.

The impact of this creative and innovative step was immense, not only  Local authorities and loggers began to hesitate or refrain entirely from cutting these painted trees but the initiative gained national and international attention and forest belt around the Jitwarpur and Ranti villages remained protected. The campaign not only slowed deforestation, but also revived interest in Madhubani art, bringing economic and cultural value to the region.

This story of Madhubani art is a compelling reminder of how traditional practices can be repurposed as tools of activism. It also shows that art is not just for galleries—it can live on trees, protect ecosystems, and become a powerful voice of environmental awareness.

Previous Post

Voices of Peace

Next Post

Satish Sharma inaugurates EVCL League trials at Doon School, Srinagar

Ghazala Fatima

Ghazala Fatima

Related Posts

Lolab

Lolab
February 15, 2026

Pani tere chashmon ka tarapta hua seemaab Murghan-e-sahar teri fazaon mein hain betaab Ae Waadi-e-Lolab Garsahib-e-hangaama na ho mimbar-o-mehrab Deen...

Read moreDetails

My Srinagar, My Pride

Decoding ‘Srinagar Smart City’
February 15, 2026

This is my heartfelt memoir of the Srinagar I was born into and the Srinagar I carry within me. Yesterday,...

Read moreDetails

Gratitude

February 15, 2026

    ''I feel a very unusual sensation, if it is not indigestion, I think it must be gratitude.'' Well, Benjamin...

Read moreDetails

Kashmiri Artist Led Team Snow India Wins Bronze and People’s Choice Award at Breckenridge International Snow Sculpture Championship 2026

Kashmiri Artist Led Team Snow India Wins Bronze and People’s Choice Award at Breckenridge International Snow Sculpture Championship 2026
January 31, 2026

Bringing pride once again to India, Team Snow India has won the Bronze Medal as well as the People’s Choice...

Read moreDetails

Sculpture 2025: Reclaiming Material, Resisting Narrative

Sculpture 2025: Reclaiming Material, Resisting Narrative
January 31, 2026

Sculpture 2025 is a group exhibition that foregrounds the richness, complexity, and evolving language of contemporary sculptural practice in India....

Read moreDetails

The Strength of a Woman

January 31, 2026

''A woman's guess is much more accurate than a man's certainty''. Rudyard Kipling opined. Well, this gentleman knew about the...

Read moreDetails
Next Post

Satish Sharma inaugurates EVCL League trials at Doon School, Srinagar

  • About us
  • Contact us
  • Our team
  • Terms of Service
E-Mailus: kashmirimages123@gmail.com

© 2025 Kashmir Images - Designed by GITS.

No Result
View All Result
  • TOP NEWS
  • CITY & TOWNS
  • LOCAL
  • BUSINESS
  • NATION
  • WORLD
  • SPORTS
  • OPINION
    • EDITORIAL
    • ON HERITAGE
    • CREATIVE BEATS
    • INTERALIA
    • WIDE ANGLE
    • OTHER VIEW
    • ART SPACE
  • Photo Gallery
  • CARTOON
  • EPAPER

© 2025 Kashmir Images - Designed by GITS.